We are independent & ad-supported. We may earn a commission for purchases made through our links.

Advertiser Disclosure

Our website is an independent, advertising-supported platform. We provide our content free of charge to our readers, and to keep it that way, we rely on revenue generated through advertisements and affiliate partnerships. This means that when you click on certain links on our site and make a purchase, we may earn a commission. Learn more.

How We Make Money

We sustain our operations through affiliate commissions and advertising. If you click on an affiliate link and make a purchase, we may receive a commission from the merchant at no additional cost to you. We also display advertisements on our website, which help generate revenue to support our work and keep our content free for readers. Our editorial team operates independently from our advertising and affiliate partnerships to ensure that our content remains unbiased and focused on providing you with the best information and recommendations based on thorough research and honest evaluations. To remain transparent, we’ve provided a list of our current affiliate partners here.

Who is Baba Yaga?

Mary McMahon
By
Updated Jan 25, 2024
Our promise to you
LanguageHumanities is dedicated to creating trustworthy, high-quality content that always prioritizes transparency, integrity, and inclusivity above all else. Our ensure that our content creation and review process includes rigorous fact-checking, evidence-based, and continual updates to ensure accuracy and reliability.

Our Promise to you

Founded in 2002, our company has been a trusted resource for readers seeking informative and engaging content. Our dedication to quality remains unwavering—and will never change. We follow a strict editorial policy, ensuring that our content is authored by highly qualified professionals and edited by subject matter experts. This guarantees that everything we publish is objective, accurate, and trustworthy.

Over the years, we've refined our approach to cover a wide range of topics, providing readers with reliable and practical advice to enhance their knowledge and skills. That's why millions of readers turn to us each year. Join us in celebrating the joy of learning, guided by standards you can trust.

Editorial Standards

At LanguageHumanities, we are committed to creating content that you can trust. Our editorial process is designed to ensure that every piece of content we publish is accurate, reliable, and informative.

Our team of experienced writers and editors follows a strict set of guidelines to ensure the highest quality content. We conduct thorough research, fact-check all information, and rely on credible sources to back up our claims. Our content is reviewed by subject matter experts to ensure accuracy and clarity.

We believe in transparency and maintain editorial independence from our advertisers. Our team does not receive direct compensation from advertisers, allowing us to create unbiased content that prioritizes your interests.

In Russian and Slavic folklore, Baba Yaga is an iconic figure. Many folktales include a visit to the house of the witch Baba Yaga, located deep within the woods along a perilous path. She is an interesting figure in mythology because she can serve as a wise guide or as a figure of evil, depending the tale being told. In either case, it is generally agreed that approaching Baba Yaga is dangerous, and that only the pure of heart will survive encounters with her.

Baba Yaga herself is usually portrayed as a thin old crone, and many students of folklore link her with ancient goddesses of wisdom and death. In most stories, Baba Yaga has iron teeth which make a fearsome noise when she clashes them together; apparently this happens quite frequently, as quite a lot of things irritate Baba Yaga including rudeness and too many questions. She travels around inside a giant mortar, which she steers with a pestle: in some myths, she is able to fly, while in others, she scoots around on the forest floor, covering up her tracks with a birch broom.

The house of Baba Yaga is often portrayed as an entity with a mind of its own. Her home walks around the forest on chicken feet, and has a fence and fixtures made of human bone, a reference to Baba Yaga's cannibalistic tendencies. The house usually has its back to visitors, however, until they say the magic rhyme that will cause the house to turn around, lower itself, and open the door. Entering the house can be a risky affair, as the door has teeth, and Baba Yaga might be inside.

Three horsemen serve Baba Yaga: the White Horseman, the Red Horseman, and the Black Horseman. These horsemen are said to represent the elements in some myths, and are also sometimes linked with dawn, midday, and twilight. Baba Yaga also has servants with invisible bodies, and she prefers that people not ask about them. In addition, she appears to have a pet cat, who is usually described as being quite clever; the cat may in fact be Baba Yaga herself, in disguise.

Some myths involve a hero bravely seeking out Baba Yaga for assistance and information. If the hero has pure intentions and is courteous to Baba Yaga, she plays the role of a wise guide. Being rude to her or having ulterior motives may result in becoming a piece of furniture. In other myths, Baba Yaga steals people, especially children, with the intention of eating them; sometimes the house itself, in tandem with Baba Yaga's pets, helps her victims to escape.

LanguageHumanities is dedicated to providing accurate and trustworthy information. We carefully select reputable sources and employ a rigorous fact-checking process to maintain the highest standards. To learn more about our commitment to accuracy, read our editorial process.
Mary McMahon
By Mary McMahon

Ever since she began contributing to the site several years ago, Mary has embraced the exciting challenge of being a LanguageHumanities researcher and writer. Mary has a liberal arts degree from Goddard College and spends her free time reading, cooking, and exploring the great outdoors.

Discussion Comments

Mary McMahon

Mary McMahon

Ever since she began contributing to the site several years ago, Mary has embraced the exciting challenge of being a...

Read more
LanguageHumanities, in your inbox

Our latest articles, guides, and more, delivered daily.

LanguageHumanities, in your inbox

Our latest articles, guides, and more, delivered daily.