We are independent & ad-supported. We may earn a commission for purchases made through our links.

Advertiser Disclosure

Our website is an independent, advertising-supported platform. We provide our content free of charge to our readers, and to keep it that way, we rely on revenue generated through advertisements and affiliate partnerships. This means that when you click on certain links on our site and make a purchase, we may earn a commission. Learn more.

How We Make Money

We sustain our operations through affiliate commissions and advertising. If you click on an affiliate link and make a purchase, we may receive a commission from the merchant at no additional cost to you. We also display advertisements on our website, which help generate revenue to support our work and keep our content free for readers. Our editorial team operates independently from our advertising and affiliate partnerships to ensure that our content remains unbiased and focused on providing you with the best information and recommendations based on thorough research and honest evaluations. To remain transparent, we’ve provided a list of our current affiliate partners here.

What is Waka?

Tricia Christensen
By
Updated Feb 03, 2024
Our promise to you
LanguageHumanities is dedicated to creating trustworthy, high-quality content that always prioritizes transparency, integrity, and inclusivity above all else. Our ensure that our content creation and review process includes rigorous fact-checking, evidence-based, and continual updates to ensure accuracy and reliability.

Our Promise to you

Founded in 2002, our company has been a trusted resource for readers seeking informative and engaging content. Our dedication to quality remains unwavering—and will never change. We follow a strict editorial policy, ensuring that our content is authored by highly qualified professionals and edited by subject matter experts. This guarantees that everything we publish is objective, accurate, and trustworthy.

Over the years, we've refined our approach to cover a wide range of topics, providing readers with reliable and practical advice to enhance their knowledge and skills. That's why millions of readers turn to us each year. Join us in celebrating the joy of learning, guided by standards you can trust.

Editorial Standards

At LanguageHumanities, we are committed to creating content that you can trust. Our editorial process is designed to ensure that every piece of content we publish is accurate, reliable, and informative.

Our team of experienced writers and editors follows a strict set of guidelines to ensure the highest quality content. We conduct thorough research, fact-check all information, and rely on credible sources to back up our claims. Our content is reviewed by subject matter experts to ensure accuracy and clarity.

We believe in transparency and maintain editorial independence from our advertisers. Our team does not receive direct compensation from advertisers, allowing us to create unbiased content that prioritizes your interests.

Waka translates simply to "Japanese poem," but for most of us with a passing acquaintance with Japanese poetry, we’re more likely to think of haiku as the true poetry of Japan. While it is true haiku was the predominant form of Japanese culture, and certainly most recognized by non-Japanese, waka inspired it. It was an art form, first begun in the 8th century CE, which continued in popularity through the modern era.

Like haiku, waka depends upon syllabic structure for each verse line. The two main types that remained popular are Choka and Renga. In Choka, the waka poem begins with two lines of five and seven syllables. It ends with three more lines that are 5-7-7.

The Tanka form of waka completely inspired the syllabic form of haiku. The first three lines are 5-7-5, and the poem ends with two 7-7 lines. By merely cutting off the ending lines, we arrive at haiku.

Waka was often written by two writers and in a question and comment or answer format. In fact within the nobility, the ability to make up waka beginnings and endings extemporaneously was a highly prized skill.

One famous writer in the early waka period was Lady Murasaki Shikibu, who wrote the majority of her work at the end of the 10th century. Her novel or collection of short stories about Prince Genji, features numerous waka examples. Independently of her story, Lady Murasaki wrote or extemporaneously composed numerous waka. The following is one of her pieces, and note that translation into English doesn’t exhibit the appropriate syllabic form exhibited in the original:

    yo no naka wo
    nani nagekamasi
    yamazakura
    Fana mira fodo no
    Kokoro nariseba

An English translation is the following:

    My place in the world
    Why should it bring me grief?
    Mountain cherry
    Blossom in my sight
    Were it ever so

It’s sometimes difficult to read waka without understanding the writer and the circumstances under which it was written. This is also complicated by the fact that many waka represent the work of two writers. Yet even in English translation, waka remains beautiful and mysterious, often evoking deep feelings in the reader.

For western poets, waka can be a style easily learned but hardly ever mastered. New anthologies of Japanese poetry can prove inspiring. Waka can also be a fun poetic form to teach children, who may enjoy the cooperative effort produced if two writers take on a question and answer format. It is certainly a productive and enjoyable way to teach introduction to Japanese poetry or simply to poetry, which at the same time emphasizes teamwork and cooperation in creative endeavors.

LanguageHumanities is dedicated to providing accurate and trustworthy information. We carefully select reputable sources and employ a rigorous fact-checking process to maintain the highest standards. To learn more about our commitment to accuracy, read our editorial process.
Tricia Christensen
By Tricia Christensen , Writer
With a Literature degree from Sonoma State University and years of experience as a LanguageHumanities contributor, Tricia Christensen is based in Northern California and brings a wealth of knowledge and passion to her writing. Her wide-ranging interests include reading, writing, medicine, art, film, history, politics, ethics, and religion, all of which she incorporates into her informative articles. Tricia is currently working on her first novel.

Discussion Comments

Tricia Christensen

Tricia Christensen

Writer

With a Literature degree from Sonoma State University and years of experience as a LanguageHumanities contributor,...
Read more
LanguageHumanities, in your inbox

Our latest articles, guides, and more, delivered daily.

LanguageHumanities, in your inbox

Our latest articles, guides, and more, delivered daily.